I am a very happy geek these days.
I am a very happy geek these days.
It wouldn’t be Thanksgiving without a controversy to argue about over the table. This year, rather than debating the Syrian refugee crisis, why not talk about today’s Publishers Weekly article on new YA author Scott Bergstrom?
The article has many in YA up in arms due to some comments made by Bergstrom that seem to, well, denigrate YA. Given that he’s a newcomer, it comes across a bit entitled and snooty. Especially since he’s got book deals in 16 countries, a movie deal, and a six-figure advance. In publishing, you can be a dick and people will shrug it off, but if you’re a successful dick, people hate you. [Read more…]
Around the Turn of the Millennium, Marvel experimented briefly with the idea of some slightly “off-brand” versions of certain characters under the banner (pardon the pun that will make itself clear soon) Startling Stories. The idea was, in a nutshell, to take some characters and let a very talented creative team go at them without the burdens of continuity. If the notions panned out, they could be folded into the “official” continuity. If not, well, at least we got a cool story, right?
The first of these was Startling Stories: Banner (see, here’s that pun I promised you). It was a very unvarnished look at the Hulk by Brian Azzarello and Richard Corben. Slightly off-kilter, not entirely bound by continuity, but familiar enough that the differences made the story more powerful.
I came up with two Startling Stories notions of my own. The first was Startling Stories: Rogers. Yes, it was my own weird take on Captain America.
I actually have the original springboard proposal I wrote, so rather than recap the idea, I’ll just present it to you as I originally wrote it back in 2001-ish. And then I’ll be back at the end to talk a little more about it.
Steve Rogers knows all there is to know about being a Captain.
Steve Rogers is about to learn what it means…
…to be America.
STARTLING STORIES: ROGERS
In a hidden government compound in the year 2002, the men in their black, off-the-rack suits once again wake up the Captain. They bring him into the briefing room, remembering the cautions pounded into their heads:
“Do not engage in idle conversation with the Captain.”
“Never answer questions not directly related to the mission at hand.”
“Most important of all, never forget that Captain Rogers thinks that it’s 1947…”
During World War II, Steve Rogers volunteered to be injected with the Super-Soldier Serum, a chemical formula that imbued him with fantastic powers and abilities, making him a one-man army for Uncle Sam.
Do you really think they were going to let that slip away?
Hitler, the men in black tell the Captain, has new allies. He has made an agreement with forces in Colombia to import a deadly drug into the United States. He’s feeding our children poison, Captain Rogers. Something called…cocaine.
Don’t pay attention to their strange clothes and their odd weapons. They may even try to use psychological warfare by telling you bizarre lies, like Hitler is dead, or it’s already past the year 2000.
Don’t listen to them, Captain Rogers. Just do your patriotic duty. Interdict these drug smugglers and come back to base…
So begins Startling Stories: Rogers, an intense, ultra-modern take on Captain America by way of conspiracy theories and the dark side of the American Dream.
In 1945, as it became obvious that the Allies would win World War II, the U.S. government realized that with the end of the war they would also lose one of their greatest assets: the only man to survive Operation: Super-Soldier, Steve Rogers. With hostilities at an end, Rogers would be free to return to civilian life, beyond the control of the military.
So they began a grand cover-up. Rogers was placed in cryogenic freeze (“To help maintain your altered metabolism,” the doctors assured him) in a secret military installation. When needed—by Military Intelligence, by the CIA, by the NSA—Rogers would be thawed, awakened, subjected to briefings that convinced him that it was still the 1940’s…
And then sent out on covert missions against “Hitler” and the “Nazi menace,” threats that had been eliminated years ago.
“Wet works” behind the Iron Curtain. Black ops in Soviet-controlled territories. Even ultra-classified missions in the U.S. itself, infiltrating left-wing groups in the sixties and taking out militias in the nineties. The brainwashed “Captain America” has done it all through the post-War era, the ultimate Cold Warrior, still fighting World War II after all these years.
But then comes a day in the year 2002, when Rogers is sent to combat a growing narco-terrorist cell in South America. On the way, his plane hits rough weather and crashes. Leaving Steve Rogers as the sole survivor…
Loose in an America he could never begin to imagine.
With a wink and nod towards traditional continuity (his code-name of Captain America, his CIA contact named Bucky, cryogenic suspension, and more), Startling Stories: Rogers re-imagines Captain America for the twenty-first century, recasting him as an icon for a nation that is troubled, solipsistic, and deeply cynical. The question at its core: Can the values of the so-called “Greatest Generation” still be brought to bear at the Turn of the Millennium? Or is Captain America’s only function in the modern world to hold a mirror up to what has become a society of extremists and thought-terrorists?
As Rogers attempts to make sense of the new world he finds himself in—as well as the true nature of the government that lied to him—we will learn the answers to these and other questions. By the end of the mini-series, we will have delved deeply into the meaning of America, how it has changed in the years since World War II, and what place a man like Steve Rogers—and the government that spawned him—can possibly have in such a world.
We will also tease the audience with a notion that would be utterly taboo in the Marvel Universe: Is it possible that Steve Rogers (a man born in the 1920s and raised in the 1930s) is a racist?
Startling Stories: Rogers—Hold onto your flags, and get ready for the ride of two centuries.
So, let’s get that lingering question out of the way first: Nah, of course Cap isn’t a racist! But it occurred to me that he would be completely ignorant about the progress made in terms of race since World War II. So, I thought I would play around with this and have some fun by showing him being startled and shocked by, say, an interracial couple, or blacks and whites sharing a meal at a restaurant. He wouldn’t say anything, but it would be obvious that was stunned.
His eventual guide to the 21st century (an ex-CIA operative, natch) would notice his reactions, put two and two together…and assume the old man’s a racist. He would put Cap through a crash course in recent racial history, culminating in a video of Martin Luther King Jr.’s “I Have a Dream” speech.
And Cap would turn from the screen with tears streaming down his face and shock his handler (and, if I’d done my job right, the reader) by saying, “This is wonderful. I always wanted the Negroes to have equality!”
The handler would say, “Well, the sentiment is right. Let’s work on the language.”
Most interesting to me from the remove of many years is that my approach here parallels that taken with the Winter Soldier, created years after I conjured this mess. (As with Mark Waid, apparently Ed Brubaker and I are on a similar psychic wavelength.)
I’m barely qualified to speak on something as enormous and grotesque as the interlinked ISIS terror attacks and Syrian refugee crisis, but that’s never stopped me from shooting off my mouth before.
First, so that you know where I stand: We should let the refugees in.
With that out of the way, let me say a little more…
To me, winning an argument is great, but I truly believe that the way you win an argument is just as important as winning it in the first place. If you win by appealing to people’s baser instincts — like fear — or by lying, then it’s not much of a victory. It’s hollow, like the cheap kind of chocolate Easter bunnies, and it’ll crumble as easily. Not today, maybe not tomorrow, but someday. Such a victory will inevitably fall away because it isn’t grounded in anything real. It’s built on smoke and whispers.
I mention this not to excoriate the right — which is currently running the fear offensive at top speed — but also to caution the left. The left isn’t above using fear, even in the case of the Syrian refugees. President Obama and others have warned that turning away the refugees is playing into ISIS’s hands: “I cannot think of a more potent recruitment tool for [the Islamic State] than some of the rhetoric thats [sic] been coming out of here during the course of this debate.”
This sounds nicer and it’s not as blatant as those on the right (and it’s not racist or xenophobic, which is a mark in its favor), but it’s still a fear play. Be afraid, America! If you don’t accept the refugees, you’re letting the terrorists win! And when the terrorists win, someday the bad, swarthy men will come for you!
In short: Don’t think about this. Just be afraid of the outcome I tell you is likely.
But the refugee crisis isn’t about winning or losing. It’s not about fear. It’s about human lives and human decency.
And it’s about facts, not suppositions and speculations and abstractions.
The reality is this: The United States has resettled 784,000 refugees since September 11, 2001. In those 14 years, exactly three resettled refugees have been arrested for planning terrorist activities—and it is worth noting two were not planning an attack in the United States and the plans of the third were barely credible.
That’s the Migration Policy Institute. I don’t know jack about this stuff, but they do — it’s right there in their name.
Facts. Not fears. Three out of three-quarters of a million.
We are in no danger from the refugees. There are systems in place to vet each individual who settles in this country. And for the past decade and a half, those systems have worked very well.
Don’t be afraid. Don’t act out of fear or panic or worry.
Act out of compassion and reason.
People need help. They are not going to hurt you.
Two facts. Forget everything else.
What do you do next?
Why we hate Libba Bray. What special guests would you like to see on the show? Morgan starts a new project. Barry wants to start five new projects. Scheduling time to talk to your spouse. How do you critique something that’s in a genre you don’t like? Plus: A nanny for Leia???